After Venganzas (Vengeance), a delightful collection of
short stories, and Hijas de Eva (Eve’s
Daughters), a splendid novel which the critics deservedly included among
the best of the Spanish picaresque tradition, we recovered La parábola de Carmen la Reina (The Parable of Carmen the Queen), the
novel with which Manuel Talens broke
into the literary scene in 1992, and which, due to editorial whimsy, had become
difficult to find.
The story takes place in
Artefa, a small, remote village in the mountainous Alpujarras of Granada. Its
only street sees the comings and goings of a multitude of characters, whose
destinies are inextricably linked with the common destiny of Spain’s turbulent
19th century. Under the seemingly eternal ruling of its different tyrants, a
succession of generations of “Artefenians” confront their authority,
culminating with the apparition of Carmen
la Reina, the anarchist liberator who, together with doctor Lucas Toledano, will uselessly trade
her life for freedom. La parábola de Carmen la Reina,
which begins as a simple rural tale, becomes a vast historical fresco, both
playful and pessimistic, depicting a society which is suffocated by religion,
violence, epidemic and poverty: a society which, whilst seeing the signs of the
end of its bitter fuedalism, succumbs to the difficulties of the war of
Independence, the Cádiz Courts, absolutism once again, the liberal revolution,
and the first Republic.
Manuel
Talens was born in Granada in 1948, and graduated from the city’s university
with a degree in medicine. He later completed his studies in Paris and
Montreal. Upon his return to Spain, he settled in Valencia, where he decided to
dedicate himself to literature. Alongside his work as a novelist, he regularly
collaborates in the opinion columns of the Valencian edition of the newspaper
El País. He has also translated into Spanish works of fiction and semiotic
texts, cinema and narrative.